Archive for 2011

Foraging in Football Films

posted April 14, 2011

There were always rumors about the Intercollegiate Athletic Film Collection, that a treasure trove of films documenting the UW’s athletic history were buried somewhere in Husky Stadium. In early 2009, Hannah Palin, film archives specialist at the UW Libraries, Special Collections, met with representatives from the Intercollegiate Athletics Department to discuss a project to evaluate,

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Filming the Police

posted April 4, 2011

The moving-image collection is of enduring research value, writes Rachel Moskowitz began watching the films collection at the New York Police Museum while a graduate student at New York University’s Archival Management program, and now describes them in a “repository review” originally published in the Winter 2011 issue of  Metropolitan Archivist, a semi-annual periodical of

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Filming New York’s Finest

posted April 4, 2011

The New York City Police Museum in downtown Manhattan has artifacts dating from the city’s first settlement by Dutch pioneers, 300 years ago, to September 11 2001. It has early officer-identification forms; it has back issues of Spring 3100, a publication written by and about members of the force; and it has film and video

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How Nitrate Film Burns: The State of Research

posted March 30, 2011

While archivists know all too well that nitrate film stock can catch fire, “understanding of the relationship between nitrate decomposition and combustibility remains weak.” That’s the thesis that Heather Heckman develops in “Burn After Viewing, or, Fire in the Vaults: Nitrate Decomposition and Combustibility,” an article in the Fall/ Winter issue of The American Archivist

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Skip the AV Geek

posted March 30, 2011

Dear moving-image aficionado: How did you come to be one? Skip Elsheimer, who travels far and wide presenting selections from his collection of 23,000 films, describes how he entered the field, and became an “educational film archivist” and self-style “Skip the AV Geek” in a posting on Reesenews, a multimedia magazine devoted to life at

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VRA Foundation Project Grant

posted March 29, 2011

The deadline for the Visual Resources Association Foundation (VRAF) Project Grant is March 31 2011. It provides up to $1,500 per grant for small or stand-alone projects or pilots, or for larger projects or components of them in the field of visual resources and image management. Collaborative projects and those proposed by groups, whether or

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The Silents That Schooled Soviets

posted March 29, 2011

On Sunday, March 6 2011, National Public Radio ran a segment about 10 “lost” American silent films that were found in the Russian film archive, Gosfilmofond, which gave them to the Library of Congress. The 10 films are part of a stash of some 200 silents discovered at Gosfilmofond. “American movies were, in fact, distributed

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NEH Preservation-and-Access Grants

posted March 29, 2011

The Division of Preservation and Access of the National Endowment for the Humanities is accepting applications for grants in its Research and Development program. The grants support projects that address major challenges in preserving or providing access to humanities collections and resources – finding better ways to preserve materials of critical importance to the nation’s

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Preserving a Moving Revolution

posted March 29, 2011

Revolutions, often great times for freedom, and terrible ones of suffering, also frequently threaten cultural collections. In late February 2011, The Atlantic reported on efforts to preserve Internet content from the Egyptian revolution, including the many moving images that informed and motivated militants and other citizens.

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Huck Finn the First

posted March 29, 2011

George Eastman House has announced completion of its restoration of Huckleberry Finn (William Desmond Taylor, 1920), the first feature-length film adaptation of Mark Twain’s most popular novel. As the Eastman House’s website and trailer of the restored film explains, the film hasn’t been exhibited since its initial release. The restoration was made from a nitrate

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